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Wentja Napaltjarri
Born circa 1945 near Ilpilli, an outstation halfway between Kintore and Mt Liebig.
Wentja’s works have been highly sought for the past decade, being included in major collections as the Kerry Stokes and Thomas Vroom Collections, the National Aboriginal Art and Culture Institute in Adelaide, and many State Gallery and University collections.
Wentja Napaltjarri is a highly
talented artist with an accomplished and distinctive style. Her
Tjukurrpa (Dreaming) was handed down to her by her father Shorty
Lungkata Tjungurrayi, who was born on the same lands. Shorty was
one of the original founders of the Western Desert art movement.
Together, father and daughter hunted bandicoot, goanna and echidna
and dug for Macu (witchety grubs), and these animals now form part
of Wentja's Tjukurrpa.
Forced to leave their lands after the arrival of the Europeans,
the family journeyed an incredible distance east to reach the
ration depot at Haasts Bluff. Along the way they had contact
with some of the most influential members of the community who had
been at Papunya when it was first established.
Whilst at Haasts Bluff, Napaltjarri met her husband, Ginger
Tjakamarra, who was also the son of a famous artist,
being Makinti Napanangka. The couple eventually moved to
Papunya, where Wentja started painting as her father's apprentice.
Her early training with her father helped to develop her most
important works - particularly the story of two goannas mating and
going into a hole - inherited directly from Shorty.
Napaltjarri's early system of connecting concentric circles and
dotted bands have been replaced by mesmerising fields of tonal
colours. Her paintings display a key motif, in most cases a large
roundel, which represents an important rock hole where her family
regularly camped. Surrounding the rock hole is a charged energy
field of intricate dots - the soft dotting technique being
characteristic of many Mount Liebig artists. Whilst she works,
Wentja sings about the rock hole, and the songs and music are
incorporated into her paintings.
Napaltjarri's works have been highly sought for the past decade,
being included in such major collections as the Kerry Stokes and
Thomas Vroom Collections, the National Aboriginal Art and Culture
Institute in Adelaide, and in many State Gallery and University
collections.
Napaltjarri has been a finalist in the Telstra National and
Aboriginal and Torres Strait Islander Art Award from 2001-2004 and
again from 2006-2008. She has been included in leading Australian
and International exhibitions, including Masterpieces from the
Western Desert, held in London in 2008.


























