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Naata Nungurrayi
Born c.1932 at the rock-hole site of Kumil, near Pollock Hills, west of Wilkinkarra (Lake Mackay), in WA. Now lives and works at Kintore.
she has forged a new direction away from the austere minimalism of classic Pintupi painting established by the men, to emerge as one of Papunya Tula’s most distinctive painters.
Naata and her family walked into Papunya in the mid-1960's when
they met the native welfare patrol led by Jeremy Long. She moved
back to Walungurru (Kintore) when it was established as an
outstation in the early 1980s. Naata is the sister of Nancy
Nungurrayi and George Tjungurrayi and the mother of Kenny Williams
Tjampitjinpa and Tjitji Ross Tjampitjinpa.
Naata began painting with the Papunya Tula Artists in 1996. Along
with other Pintupi women, she has forged a new direction away from
the austere minimalism of classic Pintupi painting established by
the men, to emerge as one of Papunya Tula's most distinctive
painters.
A senior elder, her paintings refer to traditional women's law and
ceremony, often depicting her country Walawala, as well as the
"Marrapinta" - a sacred waterhole west of Pollock Hills. Other rock
holes depicted include "Ngaripunkunya" west of Kiwirrkurra- a
stopping place for travelling ancestral wormen; "Wirrulnga" east of
Kiwirrkurra and "Ngaminya" south; "Wanku" and "Piti Kutjarra"
soakages northwest of Kiwirrkurra.
Her dreaming stories also depict women gathering Kampurapara
(desert raisins) which are eaten straight from the plant or ground
into a flour and baked. Naata records her country with "tali"
(sandhills), "puli" (rock outcrops) and "punti" (vegetation).
In 1999 her work was included in Twenty Five Years and Beyond at
Flinders University Art Museum and in 2000 the Art Gallery of NSW
included her work in its landmark exhibition Papunya Tula: Genesis
and Genius. Naata is widely regarded as one of the leading women
artists of the Western Desert. In 2003 her work was used as a motif
on an Australian stamp.



